Monday, February 11, 2013

Nine Mind-Blowing Reasons We Are Able to Enjoy The Hobbit and The Lord of the Rings Books and Movies

You’ve probably heard of J.R.R. Tolkien and Peter Jackson. You might think they’re the reason we can all enjoy The Hobbit and Lord of the Rings books and movies. Well… okay, they are. But you might not know how close you were to never being able to enjoy the adventures of Bilbo and Frodo in the way you know them, save for some other amazing factors. What am I talking about, you ask? Well hang on to your magic rings; it’s time to look at nine mind-blowing reasons we are able to enjoy Tolkien’s books and Jackson’s movies.

#1: A 10-Year-Old’s Book Report
Today there are many different options for writers searching for a way to share their work with readers. You can self-publish, write an e-book, post something on a website, etc. (You could even be a dinosaur like me and actually go through a publisher.) Back in the 1930s, however, Tolkien had only one real avenue to share The Hobbit with a wide audience: George Allen & Unwin, a publishing firm. One of Tolkien’s students had recommended the story to a friend who worked there, and the firm took a look at the manuscript. When I say they “took a look”, you’re probably thinking that some English literature expert carefully examined the work before reporting to a committee for a discussion and a decision. But actually what I mean is, “One of the guys gave the manuscript to his 10-year-old son and told him to write a book report on it.”
That’s right. The Hobbit – and by extension The Lord of the Rings, all the movies,, and the distribution of billions dollars – ultimately had their fate decided by a 10-year-old (Rayner Unwin) and his pencil. Now, I don’t know if you have children, but my wife’s a schoolteacher, and according to some of her students’ book reports, The Hobbit is about “Bible the hobo who chases dragonflies.” Thankfully, Rayner did a better job, although the heck of it is he wasn’t overly impressed with Tolkien’s work. The 10-year-old gave The Hobbit a backhanded compliment, saying it “should appeal to all children between the ages of 5 to 9.” His praise, however, was enough for his father, and the book was published.
Rayner’s importance doesn’t end there. In 1951, he began working for Allen & Unwin as an adult, and one of his first tasks was deciding what to do with Tolkien’s next manuscript, The Lord of the Rings. Upon reading that one, he had two thoughts: first, it was a work of genius, and second, it was going to cost more to publish than the firm would ever make on its sales. He published anyway. (Aren’t you glad he did?)

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